DCP - HD - 2016 - French - 85 Min - Color
Lindy Lou, Juror Number 2 (original title)
A film by Florent Vassault
Lindy, a former juror, starts a journey through Mississippi looking for the 11 jurors alongside who she sentenced a man to death, 20 years ago.
Looking like 12 ANGRY MEN, Lindy’s story is all but fictional.
For 20 years, she has lived with an unbearable feeling of guilt and no one, in this Republican and Protestant community, understood her distress.
In 2006, Lindy met the man, Bobby Wilcher, who didn’t have a single visitor on death row in Parchman. She sought his forgiveness and became his friend. This friendship shocked and she lost dear friends along the way.
Lindy was the only visitor Bobby Wilcher had on the day of his execution and she remembers seeing him in shackles in the middle of the room, glancing one last time in her direction before passing away.
Traumatized, this is how Lindy begins her journey and finds her 11 fellow jurors since they sentenced this man to death and questions the impact this experience had on them.
DCP - HD - 2016 - USA, France, Belgium, Switzerland - 93 Min - Color / Black & White
Je ne suis pas votre nègre (original title)
A film by Raoul Peck
With the voice of Samuel L. Jackson
Told entirely in the words of James Baldwin, through both personal appearances and the text of his final unfinished book project, Director Raoul Peck's I AM NOT YOUR NEGRO touches on the tragic deaths of Malcolm X, Martin Luther King Jr., and Medgar Evers to bring powerful clarity to how the image (and reality) of Blacks in America today is fabricated and enforced.
DCP – HD - 2016 - U.S.A - expected duration: 100 min (TV version 90 min) - Color
A film by Directed by Johan Grimonprez and based on the book THE SHADOW WORLD by ANDREW FEINSTEIN
Directed by Johan Grimonprez and based on Andrew Feinstein's globally acclaimed book The Shadow World: Inside the Global Arms Trade, the film SHADOW WORLD reveals how the international trade in weapons - with the complicity of governments and intelligence agencies, investigative and prosecutorial bodies, weapons manufacturers, dealers and agents - fosters corruption, determines economic and foreign policies, undermines democracy and creates widespread suffering. SHADOW WORLD posits an alternative through the experience of a peace activist and war correspondent, as well as the stories of Eduardo Galeano. But ultimately the film reveals the real costs of war, the way the arms trade drives it, how the weapons of war are now being turned against the citizens of liberal democracies, and how the ‘shadow world’ is taking over. In the hopes that in understanding how our realties are being constructed, audiences may see through this horror, and create a better future.