HD - 2017 - Dutch - 55 Min - Color / Black & White
LUTHER AND HIS LEGACY (original title)
A film by Peter Greenaway
On the occasion of 500 years of Reformation (October 31st), Peter Greenaway made a visually stunning critical documentary about Martin Luther, his – mainly because of the invention of the printing press - successful reformation, its disastrous consequences, and the power of visual culture, based upon 16th and 17th century paintings, drawings and pamphlets used as propaganda for the mainly illiterate population.
He draws parallels with today’s communication explosion/distribution of “news" and the necessity to be digitally literate.
HD - 2014 - French - 52 Min - Color
CHANTAL THOMASS, LA FEMININE (original title)
A film by Jean Barrat & Marie Perrin
Known as the “Pope of chic lingerie”, Chantal Thomass is a muse, the incarnation of the contemporary woman all around the world.
With a 45 years career, from the bottom to the top, she represents the revolution of lingerie in the world, form the 1970’s until now.
An exclusive portrait of an exclusive women, Chantal Thomass invites us to discover her story for the first time, the story of a woman that took the handy accessory lingerie was and turned it to an essential piece of fashion.
DCP-HD - 2017 - Switzerland - 73 ' and 52' - Color / Black & White
A film by Luc Schaedler
The film centers around five of the most significant representatives of contemporary Chinese counterculture: the visual artists the Gao Brothers, the choreographer and dancer Wen Hui, the animation artist Pi San and the poet Ye Fu.
With bravery and subversive wit, they each shed light on the social problems in their country from their unique perspective. What they share is a struggle to come to terms with their respective pasts, all scarred by violence and oppression. Their vision is of a democratic, supportive and humane civil society.
A Long Way Home takes us on a fascinating journey into both the grim days of recent Chinese history and the dazzling cultural scene in present-day China. In doing so, the film poses universal questions that ultimately concern us all: which values determine our cultural identity and in what kind of world do we want to live?
A Long Way Home is an entertaining and moving plea for human solidarity.
HD-DCP - 2018 - Austria - 97 - Color
A film by Werner Boote
“When you shop with a conscience, you don’t save the world, you save the corporations”
Environmentally friendly electric cars, sustainably produced food products, fair production processes: Hurray! If everything the corporations tell us is true, we can save the world through our purchasing decisions alone! A popular and dangerous lie.
Are the industry's “green products” nothing more than a sales strategy?
In his new documentary film, Werner Boote (Plastic Planet, Everything's Under Control) shows us, together with environmental expert Kathrin Hartmann, how we can protect ourselves.
They easily banter, they agree to disagree and ultimately bring freshness to a never-ending debate.
HD-DCP - 2018 - Argentina - 97 - Color
A film by Fernando E. Solanas
A Journey to the Fumigated Towns is the final episode made by Fernando Solanas in a series of 8 films dedicated to the Argentinian’s crisis in the 21st century. Based on testimonies, re-creations, archives and photos, this investigative documentary reveals not only the after-effects of the soya’s model and other GMO’s grain productions with agrochemicals, on the health of the Argentinian people but also the global and environmental consequences.
Fernando Solanas unfolds dramatic stories and testimonies from locals, farmers and researchers. As a fearless director and a senator, he is convinced that Eco-agriculture produces food for everyone in a natural and profitable way.
HD/ DCP - 2018 - Austria - 93 - Color / Black & White
Waldheim's Walzer (original title)
A film by Ruth Beckermann
A film about truth and lies and how a dishonest man can rise to power. Ruth Beckermann documents the process of uncovering former UN Secretary General Kurt Waldheim’s wartime past. It shows the swift succession of new allegations by the World Jewish Congress during his Austrian presidential campaign, the denial by the Austrian political class, the outbreak of anti-Semitism and patriotism, which finally led to his election. Created from international archive material and what Beckermann shot at the time, the film shows that history repeats itself time and time again.
HD-DCP - 2018 - FRANCE - 100 - Color
Premières solitudes (original title)
A film by Claire Simon
Claire Simon portrays an important time for any individual, from 16 to 18 years of age.
Set in the Paris suburbs in high school (for those lucky enough to go), teenagers chat after and even during class, sitting in the hallway or outside on a bench, looking at the city below them.
Claire Simon sets up a cinematic dialog with the teens, speaking about their personal history, their family, but also passions and loneliness.
At this age, they start thinking about leaving their family, when there is one, and even run away from it when it’s completely broken. Being by yourself can bring as many good things as bad ones. This film becomes a place where they search and discuss the meaning of all this.
A pure coming-age story, Young Solitude is an ode to youth.
HD/ DCP - 2017 - The Netherlands - 70 min - Color
THE GREENAWAY ALPHABET (original title)
A film by Saskia Boddeke
Peter Greenaway constructs an alphabet for and with his daughter Zoë as a blueprint of his life.
The fascinations of filmmaker Peter Greenaway, whose motto is "art is life and life is art", are captured like butterflies and arranged in an alphabet, a form suiting him perfectly as an encyclopedist. In intimate conversations with his perceptive 16-year-old daughter Zoë, we discover the ‘whos, whats and whys’ about Greenaway.
They begin with A, which stands for Amsterdam, but could also stand for autism, Zoë suggests. Greenaway’s boundless creativity and unconstrained flow of words brings this to mind indeed, and he admits to wearing the label with pride. The playful conversations don’t shy away from painful topics; we hear that Greenaway hasn’t seen two other children of his for years.
Later, heartbroken and in tears, Zoë asks him if for once to stop talking like a commentator.
Zoë’s spontaneous questions penetrate Greenaway to the core, enabling his wife, multimedia artist Saskia Boddeke, to make a deeply personal portrait not only of the artist, but also of Greenaway the father in his battle against time.