History and archives
HD-DCP - 2011 - Germany, Finland, South Africa - 90 min - Color / Black & White
Mama Africa (original title)
A film by Mika Kaurismäki
The many voices of Miriam Makeba !
The story of the late incredible and charismatic South African musical icon, Miriam Makeba.
She traveled the world delivering a message against racism and poverty and fighting for equality and peace. MAMA AFRICA is a vibrant homage to this wonderful artist and civil rights activist.
HD-DCP - 2017 - italy - 74/51 min - Color / Black & White
Cinecittà Babilonia (original title)
A film by Marco Spagnoli
Sex, drugs and black shirts
Inspired by Kenneth Anger’s book “Hollywood Babilonia”, this documentary tells us the story of the italian cinema in the thirties and forties, exploring the relation between sex and power under the shade of fascism.
Combining archive materials and interviews Cineccità Babilonia has a unique point of view between history and gossip of the beginning of what we know as Hollywood on the Tiber.
HD - 2017 - Estony, Germany, Finland - 85/ 52 min - Color / Black & White
Soviet Hippies (original title)
A film by Terje Toomistu
Flowers and hair grow everywhere
A wild flower power ride on the footprints of the Soviet hippie movement takes you into the psychedelic underground of 1970s. Thrilled by rock music, inspired by the cult of peace and love, the young long-haired drop-outs craved for freedom and created their own System in the Soviet Union despite the strict regime.
Years later, a group of eccentric hippies from Estonia take a road journey to Moscow where people still gather annually on the 1st of June for celebrations related to the tragic event of 1971, when thousands of hippies were arrested by the KGB.
HD/DCP - 2017 - Germany - 105/ 2x52 min - Color / Black & White
Hitler's Hollywood (original title)
A film by Rüdiger Suchsland
Hitler’s Hollywood tells the story of one of the most important and dramatic period in the German cinema history. Once again, what does cinema know that we don’t know?
The Third Reich cinema was a heavily censored industry and at the same time, longed to be a German dream factory. It produced, among others, the Nazi blockbuster "Münchhausen", at the request of Joseph Goebbels. It established its own celebrity star system and used the latest marketing tools.
About 1000 feature films were produced in Germany between 1933 and 1945 and only a few were openly Nazi propaganda films and even fewer could be considered harmless entertainment.
We look at these films and the people behind them. How stereotypes of the “enemy” and values of love and hate managed to be planted, into the viewers’ minds, through the screens.
HD/DCP - 2016 - USA - 95/56 min - Color / Black & White
The Dying of the light (original title)
A film by Peter Flynn
For 120 years, they brought the light to our screens. Now their light is dying.
Largely unchanged for more than a century, the projection of photochemical film faces an uncertain future in the digital age. The practice of handing and projecting film is in danger of being lost; and the role of film projectionist is nearing extinction.
THE DYING OF THE LIGHT explores at the history and craft of motion picture presentation through the lives and stories of the last generation of career projectionists. By turns humorous and melancholic, their candid reflections on life in the booth reveal a world that has largely gone unnoticed and is now at an end. The result is a loving tribute to the art and romance of the movies—and to the unseen people who brought the light to our screens.
HD- DCP - 2017 - Argentina - 94 - Color
EL VECINO ALEMAN (original title)
A film by Rosario Cervio and Martin Liji
“Long live Germany! Long live Austria! Long live Argentina! These are the countries with which I have been most connected and which I will not forget. I had to obey the rules of war and my flag. I am ready.”
Last words of Adolf Eichmann,
Thursday evening on May 31st, 1962 at the gallows of Ramla prison
In 1960 Adolf Eichmann was kidnapped in Buenos Aires and taken illegally to Jerusalem for a trial.
A pure documentary integrating archive materials, the film shows through the eyes and research work of Renate, a young journalist, the awkward life of Adolf Eichmann in Argentina contrasting with the crimes he is defending against in Israel.
DCP- HD - 2015 - French - 53 Min - Color / Black & White
Trop noire pour être française? (original title)
A film by Isabelle Boni-Claverie
Filmmaker Isabelle Boni-Claverie, a black woman who grew up in a privileged environment, has none of the supposed social handicaps that could impede social integration. And yet, she is often an object of discrimination. Has the Republic lied to her?
A brazen question illuminated by the analysis of Eric Fassin, Pap Ndiaye and Achille Mbembe regarding the inequalities of our society.
DCP - HD - 2016 - USA, France, Belgium, Switzerland - 93 Min - Color / Black & White
Je ne suis pas votre nègre (original title)
A film by Raoul Peck
With the voice of Samuel L. Jackson
Told entirely in the words of James Baldwin, through both personal appearances and the text of his final unfinished book project, Director Raoul Peck's I AM NOT YOUR NEGRO touches on the tragic deaths of Malcolm X, Martin Luther King Jr., and Medgar Evers to bring powerful clarity to how the image (and reality) of Blacks in America today is fabricated and enforced.
DCP - HD - 2017 - United States - 75 & 52 Min - Color / Black & White
All Things Are Photographable (original title)
A film by Sasha Waters Freyer
All Things Are Photographable is the first documentary film on the life and work of acclaimed photographer Garry Winogrand (1928-1984) – the epic storyteller of America across three turbulent decades.
His artistry encompassed the heartbreak, violence, hope and turmoil of postwar America, from the frenzy of its urban core to the alienation of its emergent suburbs. Thirty years on, his most well-known photos – of Marilyn Monroe, her skirt blown askew on the set of The Seven Year Itch; Norman Mailer’s 50th birthday party; tourists at Dealy Plaza in Dallas following the Kennedy assassination and among hundreds of others – remain unforgettable. He also captured city streets teeming with women newly liberated from the repressive 1950’s; rowdy Texas rodeos, political conventions and angry protests, zoos, parades and celebrity balls. His camera seized upon the spectacle of a massive social upheaval – that age when our now-global mania for self-promotion and exhibitionism was beginning.